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Rohrer & Klingner 28 Range Traditional Ink NOT FOR FOUNTAIN PENS

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Rohrer & Klingner 28 Range Traditional Ink NOT FOR FOUNTAIN PENS

Rohrer & Klingner 28 Range Traditional Ink NOT FOR FOUNTAIN PENS

The 28 Range, traditional ink, are not suitable for fountain pens. They contain pigments and an acrylic binder.

100ml Bottle

Any of these tones can be mixed with each other, but also a combination with Rohrer’s Calligraphy Ink (range 29) is possible; For instance, a blend with the Gold and Silver tones would produce remarkable metallic effects.
You may use the inks with quills, brushes and airbrush.

Rohrers uses high quality materials and innovative production methods to 18 tones of high luminance and brilliance inks.
Particularly notable is the large area of application that goes beyond the work with quills and brushes in drawing and calligraphy.

The comparably high density of pigments allows for consistent results when the ink is applied with quills, brushes and airbrush.

Eligible painting surfaces cover drawing paper, cardboard, transparent paper, and matt finished foils of polyester. For the purpose of calligraphy, also more imbibing materials like Ingres deckle-edge paper or watercolor paper are considerable.
Due to the acrylic resin that is used as vehicle, the dried ink is resistant to water and wiping. The abdication of a surfactant ensures an optimal flow without risking the ink to run over or through the paper.

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From $5.25

Original: $15.00

-65%
Rohrer & Klingner 28 Range Traditional Ink NOT FOR FOUNTAIN PENS

$15.00

$5.25

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Description

The 28 Range, traditional ink, are not suitable for fountain pens. They contain pigments and an acrylic binder.

100ml Bottle

Any of these tones can be mixed with each other, but also a combination with Rohrer’s Calligraphy Ink (range 29) is possible; For instance, a blend with the Gold and Silver tones would produce remarkable metallic effects.
You may use the inks with quills, brushes and airbrush.

Rohrers uses high quality materials and innovative production methods to 18 tones of high luminance and brilliance inks.
Particularly notable is the large area of application that goes beyond the work with quills and brushes in drawing and calligraphy.

The comparably high density of pigments allows for consistent results when the ink is applied with quills, brushes and airbrush.

Eligible painting surfaces cover drawing paper, cardboard, transparent paper, and matt finished foils of polyester. For the purpose of calligraphy, also more imbibing materials like Ingres deckle-edge paper or watercolor paper are considerable.
Due to the acrylic resin that is used as vehicle, the dried ink is resistant to water and wiping. The abdication of a surfactant ensures an optimal flow without risking the ink to run over or through the paper.